Correspondence of art historian Bernard Berenson primarily with San Diego artist Norah Bisgood Woodward from 1950 to 1959. The collection is comprised of manuscript letters and postcards, a copy of Banchetto nel Deserto by Alexia Mitchell, unsigned cards from Bernard Berenson, and photographic reproductions of an unknown painting.


Art historian Bernard Berenson specialized in Medieval and Renaissance art, publishing several books on Italian artists and painting. He received critical acclaim for his text, Lorenzo Lotto: An Essay on Constructive Art Criticism and for his later work The Italian Painters of the Renaissance. Berenson also served as an advisor to many prominent collectors such as American art collector and patron Isabella Stewart Gardner. In 1900 Berenson settled into I Tatti, a villa in Fiesole, Italy. He lived there until his death in 1959.

Scope and Content

The correspondence of Bernard Berenson exhibits the friendship between San Diego artist Norah Bisgood Woodward and American art historian Bernard Berenson (1865-1959). The main focus of this collection resides in the correspondence between Woodward and Berenson from 1950 to 1959. Additional materials include a 1953 publication of Banchetto nel Deserto by Alexia Mitchell, photographic reproductions of an unidentified artwork owned by Norah Woodward's husband Henry Woodward, and unsigned cards from Berenson at his estate, Villa I Tatti.

The papers are arranged in two series: 1) CORRESPONDENCE and 2) MISCELLANEOUS MATERIALS.


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Box Folder Oversize
1 1 Berenson, Bernard, 1950-1955.
1 2 Berenson, Elizabeth, 1958.
One manuscript letter from Bernard Berenson's sister, Elizabeth Berenson.
1 3 Biblioteca Benjamin Franklin, 1951.
1 4 Hess, Joan, 1955-1959.
One inscribed postcard and one typescript letter from Bernard Berenson's secretary, Joan Hess.
1 5 Mariano, Nicky, 1955-1959.
Two inscribed postcards and one manuscript letter from Bernard Berenson's librarian Nicky Mariano.

Miscellaneous Materials

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Box Folder Oversize
1 6 Banchetto nel Deserto, by Alexia Mitchell, 1953.
Book of poems in Italian and English with an inscription by Bernard Berenson to Norah Woodward on front matter.
1 7 Photographic reproductions of an unknown painting, annotated verso - Black & white print and color slide, ca. 1950s.
1 8 Unsigned cards - Black and white, and color cards sent from Villa I Tatti, Bernard Berenson's Italian estate, 1953-1959.

Finding aid generated: 2011-03-16