Restrictions

The audio and video recordings are restricted. Researchers must request user copies.

Abstract

The Stuart Collection at the University of California, San Diego, is a collection of site-specific public art in settings where people can encounter it as part of their everyday lives. The artists invited to contribute proposals by the Stuart Collection's Advisory Committee are prominent conceptual artists, including some not typically associated with environmental sculpture. As of 2006, 16 works have been completed: SUN GOD (1983), Niki de Saint Phalle; TWO RUNNING VIOLET V FORMS (1983), Robert Irwin; LA JOLLA PROJECT (1984), Richard Fleischner; TREES (1986), Terry Allen; SOMETHING PACIFIC (1986), Naum June Paik; UNDA (1987), Ian Hamilton Finlay; VICES AND VIRTUES (1988), Bruce Nauman; LA JOLLA VISTA VIEW (1988), William Wegman; UNTITLED (1991), Michael Asher; TERRACE (1991), Jackie Ferrara; GREEN TABLE (1992), Jenny Holzer; SNAKE PATH (1992), Alexis Smith; RED SHOE (1996), Elizabeth Murray; STANDING (1998), Kiki Smith; READ/WRITE/THINK/DREAM (2001), John Baldessari; BEAR (2005), Tim Hawkinson. The records include design materials from eleven of the artists whose works have been built for the Stuart Collection, and proposal materials from thirteen artists whose works have not been built, as well as photos of an early non-constructed proposal from Richard Fleischner. The greatest portion of the materials are blueline print or whiteprint plans, although drawings, photographs, and other graphic materials are also present. Also included are audio and videorecordings of interviews, installations and other events.

Administrative History

The Stuart Collection was created in 1981 through a partnership between the University of California, San Diego and the Stuart Foundation with a gift from businessman and philanthropist James Stuart deSilva (1919-2002). DeSilva's goal was to establish a collection of public art in a setting where people who might not otherwise seek out art could encounter it as a part of their everyday lives. In addition to its original $1.5 million endowment, the collection has received financial support from organizations such as the National Endowment for the Arts, the Russell Foundation, the Lannan Foundation, and the California Arts Council. Since 1998, the Friends of the Stuart Collection International Advisory Committee has also provided an important network of support both for new projects and the long-term care of built works. Founding director, Mary Beebe, has overseen the collection and its growth since 1981.

Artists invited by the Stuart Collection's Advisory Committee to contribute proposals are prominent figures of twentieth-century conceptual art, including artists not typically associated with environmental sculpture. The Advisory Committee includes the Stuart Foundation's chair and at least one artist, an art critic, and a member of the UCSD faculty. As of 2002, more than forty artists had submitted proposals.

All sites on UCSD's campus are available for an artist's consideration, though projects are subject to a campus review and final approval of the chancellor. Throughout the proposal, design, and construction processes, artists tailor their work to the selected site.

Proposals may be rejected for a variety of reasons, including conflicts with the University's plans for a site, logistical infeasibility, safety concerns, or insufficient funding. The obstacles which occasionally occur during the approval or construction process are illustrated by several projects represented in the Stuart Collection Archive. Bruce Nauman's VICES AND VIRTUES, originally conceived for the Mandel Weiss theater, was ultimately relocated to the Powell Structural Laboratory when area residents objected to the proposed use of neon lights and the general nature of the work. Objections from residents also played a part in the ultimate rejection of two amphitheater proposals from James Turrell (LAODICEA and Amphitheater Proposal). Works cancelled due to conflicts with University plans include George Trakas's PEPPER CANYON (1987), and Richard Fleischner's preliminary proposals for works in a canyon (not included in this archive) and a eucalyptus grove (included). For more information on the subject of project changes, researchers should see LANDMARKS: SCULPTURE COMMISSIONS FOR THE STUART COLLECTION AT THE UNIVERSITY OF CALIFORNIA (Rizzoli International, 2001). Additional information about the Stuart Collection may be found at the collection's website http://stuartcollection.ucsd.edu.

As of 2006, the Stuart Collection includes 16 completed works: SUN GOD (1983), Niki de Saint Phalle; TWO RUNNING VIOLET V FORMS (1983), Robert Irwin; LA JOLLA PROJECT (1984), Richard Fleischner; TREES (1986), Terry Allen; SOMETHING PACIFIC (1986), Nam June Paik; UNDA (1987), Ian Hamilton Finlay; VICES AND VIRTUES (1988), Bruce Nauman; LA JOLLA VISTA VIEW (1988), William Wegman; UNTITLED (1991), Michael Asher; TERRACE (1991), Jackie Ferrara; GREEN TABLE (1992), Jenny Holzer; SNAKE PATH (1992), Alexis Smith; RED SHOE (1996), Elizabeth Murray; STANDING (1998), Kiki Smith; READ/WRITE/THINK/DREAM (2001), John Baldessari; BEAR (2005), Tim Hawkinson.

Scope and Content

Accession Processed in 2002

The accession processed in 2002 contains audio and videorecordings documenting the installation of Stuart Collection projects, interviews with artists, and promotional materials. Formats include Beta-Sp video, 3/4 inch video, and audiocassette recordings. The accession is arranged in one series: RECORDINGS.

SERIES 1: RECORDINGS

The RECORDINGS series is arranged into two sub-series: A) Beta-SP, and B) Original Recordings.

A) The Beta-SP subseries contains compilations of video and audio content derived from tapes in the Original Recordings subseries and migrated to a single, newer format.

B) The Original Recordings subseries contains original cassettes.

Accession Processed in 2006

The accession processed in 2006 includes 228 individual items, consisting chiefly of plans and proposals for Stuart Collection projects. Work by a total of 24 artists is included; eleven artists whose works were constructed, and thirteen artists whose proposals were not constructed. One artist, Richard Fleischner, appears in both categories.

The greatest portion of materials are whiteprint or blueline print plans with specifications for a project's construction. Since Stuart Collection works are outdoors, and typically large scale, some artists employed large photographs, maps, or topographical surveys of a proposed site with additional artwork or transparent overlays illustrating features of the project. Drawings, photographs, and other graphic media are also included.

The collection is arranged in two series: 2) WORKS BUILT, and 3) WORKS NOT BUILT.

SERIES 2: WORKS BUILT

The WORKS BUILT series chiefly includes materials relating to the design and construction of eleven of the sixteen works presently in the Stuart Collection. In a few instances, photographs of the final built work are present. Though some alterations to projects can be traced through various drafts of design plans, original conceptual material differing substantially from the final built work is rare. Jackie Ferrara's "First Concept" drawing for TERRACE is a notable exception.

Materials chiefly include whiteprint or blueline print plans and Mylar transparencies. Other materials include drawings, photographs, and other graphic media. Items typically range from 11"x17" to 30"x40" in size, some are substabtially larger.

The series is arranged in eleven subseries, by artist's name: A) Michael Asher, B) John Baldessari, C) Jackie Ferrara, D) Richard Fleischner, E) Jenny Holzer, F) Robert Irwin, G) Elizabeth Murray, H) Bruce Nauman, I) Alexis Smith, J) Kiki Smith, and K) William Wegman.

SERIES 3: WORKS NOT BUILT

The WORKS NOT BUILT series includes proposals for works not constructed for the Stuart Collection. Fourteen artists are represented, including a proposal from Richard Fleischner, who is also represented in the preceding series.

Proposals vary in character, ranging from vaguely conceptual (Max Neuhaus), to artfully illustrative (Peter Shelton), to logistically detailed (George Trakas). Materials present include whiteprint and blueline print plans, campus maps, topographical maps, drawings, photographs, and other graphic media. Items typically range from 11"x17" to 30"x40" in size, some are substantially larger.

The series is arranged in fourteen subseries, by artist's name: A) Alice Aycock, B) Richard Fleischner, C) Doug Hollis, D) Barry Le Va, E) Donald Lipski, F) Max Neuhaus, G) Maria Nordman, H) Claes Oldenburg, I) Martin Puryear, J) Richard Serra, K) Peter Shelton, L) George Trakas, M) James Turrell, and N) Bill Woodrow.

Accession Processed in 2002

RECORDINGS

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Box Folder Oversize
1 1 Brochure, 2001. November 3.
1 2 Slides and photograph, 1983 - 1998. Contains a slide of the "Sun God" (1983), two slides of the "Red Shoe" installation and a photograph of James Stuart DeSilva (1998).
1 3 Tape logs (tapes 1-14). No date.
1 4 Allen, Terry - Installing first tree, interview and reception. Tape 1.
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1 5 Allen, Terry - Installing trees 2 and 3, and nailing metal to trees. Tape 2.
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1 6 Asher, Michael - 5 min. piece/Interview. Ian Finlay - "UNDA" placement/installation. Sue Finlay - Interview. Tape 3.
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1 7 Finlay, Ian Hamilton - Interview, 1987. Summer. Dub from audiocassette, marginal quality.
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1 8 Holzer, Jenny - English language spots, B-roll master and documentary interview for UCSD TV (05:00). Tape 4.
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1 9 Irwin, Robert - Documentary. Richard Fleischner - La Jolla Project and B-roll. Bad Terry Allen footage. Tape 5.
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1 10 Irwin, Robert - Interview and B-roll. Bruce Nauman - Drawings/proposal, documentary, B-roll, and Ch. 8 spot. Tape 6.
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1 11 Nauman, Bruce - B-roll, construction, complete interview, reception, and reflection footage. Includes edited piece from 1990, approx. 10:00. Tape 7.
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1 12 Paik, Nam June - Interview and proposal footage. Tape 8.
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1 13 de Saint Phalle, Niki - Installation. Tape 9.
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1 14 de Saint Phalle, Niki - Aerial view, "The Bird" edited piece and Ch. 10 spot. Alexis Smith - Interview. Includes edited sound bites of "Snake Path." Tape 10.
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2 1 de Saint Phalle, Niki - B-roll - Installation, landscaping, Mary Beebe talks about the project. Includes Alexis Smith in the garden. Tape 11.
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2 2 de Saint Phalle, Niki - B-roll - Garden and bench. William Wegman - Interview and B-roll. Tape 12.
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2 3 Wegman, William - Master. Mary Beebe interview, audio only (1996). Tape 13.
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2 4 Stuart Collection - "Art in America" - Cover. Stills of proposal drawings and models. Jackie Ferrara piece. Tape 14.
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Original Recordings

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2 5 Allen, Terry - Hammering nails on tree piece (3/4" video), 1985. November 10.
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2 6 Allen, Terry - Installation, approx. 05:00 (3/4" video). No date.
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2 7 Allen, Terry - Installation of "Lead Trees" (3/4" videos). Tape 1 contains first Tree. Tape 2 contains "Tree 2 and 3." No date. See also, Robert Irwin for Allen's "Talking Trees." Box 4, folder 7.
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2 8 Allen, Terry - Interview (3/4" videos). Contains tape 1 and 2. Tape 2 includes first of reception.
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2 9 Allen, Terry - "Music" and "Poetry" (audiocassette tapes). Contains 2 tapes. No date.
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2 10 Allen, Terry - "Music" and "Writing," original (audiocassette tapes). Contains 3 tapes. No date.
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2 11 Asher, Michael - Master (3/4" video).
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3 1 Beebe, Mary - Interview (3/4" video), 1996. September 15.
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3 2 Ferrara, Jackie (3/4" video). No date.
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3 3 Finlay, Ian Hamilton (3/4" video). No date.
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3 4 Finlay, Ian Hamilton - Interview (3/4" video), 1987. Summer. Dub from Beta-SP, marginal quality.
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3 5 Finlay, Ian Hamilton - Placement and installation (3/4" videos). Tape 1 and 2. No date.
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3 6 Finlay, Sue - Interview (3/4" video). Tape 3. No date.
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3 7 Fleischner, Richard - Master (3/4" video), 1996. See also, Robert Irwin. Box 4, folder 7.
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3 8 Holzer, Jenny - Edited, audio mix, 05:50 (3/4" video). ca. 1994. Includes email from Julia Fuller Kindy to Lynn Burstan.
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3 9 Holzer, Jenny - English language spots (3/4" video), 1993. February. Contains 2 copies.
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4 1 Holzer, Jenny - Master from Hi8, no TC (3/4" video), 1996. By David Hunter and Julia Fuller Kindy.
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4 2 Holzer, Jenny - Window dub of Hi8, with TC (3/4" video), 1996. By David Hunter and Julia Fuller Kindy.
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4 3 Irwin, Robert (3/4" video), 1983. January 18. Tape 1.
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4 4 Irwin, Robert - Documentary - Master, 15:00 (3/4" video). No date.
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4 5 Irwin, Robert - Installation (3/4" video). No date.
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4 6 Irwin, Robert - Interview (3/4" video), 1995. November 21. Dubs for rough cut. For Audio.
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4 7 Irwin, Robert - "Purple Volleyball Net" (3/4" video). Includes Richard Fleischner's "La Jolla Project" and Terry Allen's "Talking Trees." No date.
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4 8 Nauman, Bruce - Channel 8 News (3/4" video). Students/Beebe/Gregoire. No date.
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4 9 Nauman, Bruce - Construction - Assembly in Structures Lab (3/4" videos), 1988. September 2. Tape 1 and 2.
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5 1 Nauman, Bruce - Copy, 10:00 (3/4" video). No date.
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5 2 Nauman, Bruce - Interview (3/4" video), 1988. October 29.
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5 3 Nauman, Bruce - Opening - "Vices and Virtues" reflected in library and engineering buildings (3/4" video). No date.
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5 4 Nauman, Bruce - Proposal drawing (3/4" video). No date.
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5 5 Nauman, Bruce - Re-cut copy (3/4" video). No date.
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5 6 Paik, Nam June - Master, 14:00 (3/4" video), 1987. May 8.
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5 7 Paik, Nam June - "Something Pacific" (3/4" video). No date.
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5 8 Paik, Nam June visits UCSD, 29:00 and 25:00 (VHS, 2 copies), 1985. September. Pitch for Stuart Collection project. Original is on 8mm video. By Chip Lord.
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5 9 de Saint Phalle, Niki - "The Bird" (3/4" video). Dub by Brian Kantor. No date.
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6 1 de Saint Phalle, Niki - "The Bird Arrives," KGTV Channel 10 (3/4" video). Joe McKeann. No date.
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6 2 de Saint Phalle, Niki - "The Bird Flying" (3/4" video). Tape 3. No date.
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6 3 de Saint Phalle, Niki - Installation - "Sun God" in crate (3/4" videos). Tape 1 and 2. No date.
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6 4 de Saint Phalle, Niki - Installation - "Sun God" (3/4" video). Tape 3. No date.
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6 5 de Saint Phalle, Niki - Installation - "Sun God" work tape (3/4" video). No date.
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6 6 Smith, Alexis - 2 and 3 (3/4" videos). No date.
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6 7 Smith, Alexis - 4 and 5 (3/4" videos), 1992. May 6. Tape 5 - "Working in garden."
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6 8 Smith, Alexis - B-roll (3/4" video). No date.
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6 9 Smith, Alexis - Bench, garden, BK (3/4" video). No date.
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6 10 Smith, Alexis - C2, 1 of 1 (Hi8 video), 1992. October 24.
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7 1 Smith, Alexis - Dubs from Beta-SP - Master, edited (3/4" video and VHS), 1996. Includes a note from Ken Kebow to Julia Fuller Kindy.
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7 2 Smith, Alexis - Interview - Master (3/4" video).
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7 3 Smith, Alexis - Off-line segments with music (3/4" video). No date.
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7 4 Smith, Kiki - "Standing: A Fountain," 27:00 (VHS). No date.
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7 5 Stuart Collection - "Art in America" - Cover (3/4" video). No date.
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7 6 Stuart Collection - Assembling book, 6 and 7 (3/4" videos). Tape 1 and 2. No date.
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7 7 Stuart Collection - Julie/Tour and Matt Alioto's footage (Hi8 videos), 1996. July 11. Tape 1 and 2. Includes tape 3, labeled, "Bad color balance and good Matt shots for tape 1."
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7 8 Stuart Collection - "Map of Torrey Pines and Tijuana Photos" (3/4" video). No date.
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7 9 Stuart Collection - Master (3/4" video), 1996. October 7.
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7 10 Stuart Collection - Master - Edited, unmixed audio 04:50 (3/4" video). No date.
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8 1 Stuart Collection - Master - Voice over (3/4" video), 1995. By David Hunter and Julie Fuller Kindy.
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8 2 Stuart Collection presents "Scholars and Sculpture at University of California, San Diego," 25:40 (VHS), 1997. September.
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8 3 Stuart Collection - Proposals and slides (3/4" video). No date.
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8 4 Stuart Collection - Reel 103 - Window Dub (VHS), 1997. January 16. 8mm transfer/music.
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8 5 Stuart Collection Video (VHS). No date.
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8 6 Wegman, William - Interview (3/4" videos), 1989. May 10. Tape 1 and 2.
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8 7 Wegman, William - Master and copy (3/4" videos). No date.
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8 8 Wegman, William - "Noorderlicht," 71:00 (VHS).
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8 9 Unidentified videorecording (3/4" video).
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8 10 Unidentified videorecordings (3/4" video and VHS).
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Accession Processed in 2006

WORKS BUILT

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Michael Asher

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Box Folder Oversize
9 1 MC-191-01 DRINKING FOUNTAIN, Sections and Elevations, ca. 1990. graphite on paper (30"x42"). Drawing by Mathieu Gregoire.
9 1 MC-191-01 DRINKING FOUNTAIN, Elevations (4), Base Plan, Sections, 1990. whiteprints (30"x40"). Plans drawn by Pat Schulte.
9 2 MC-193-01 DRINKING FOUNTAIN, Proposal book, 1990. blueline prints (18"x24"). Four page booklet with bid set plans, plus cover page.
9 2 MC-193-01 DRINKING FOUNTAIN, Elevations, Base Plan, Sections, 1991. blueline print (30"x42"). Plan drawn by Pat Schulte, with annotations by Mathieu Gregoire. (2 copies)
9 2 MC-193-01 DRINKING FOUNTAIN, Basin and Details, 1991. blueline print (30"x42"). Plan drawn by Kevin Schwegel, with annotations by Mathieu Gregoire. (3 copies)
9 2 MC-193-01 DRINKING FOUNTAIN, Sides and Vent Details, 1991. blueline print (30"x42"). Plan drawn by Kevin Schwegel, with annotations by Mathieu Gregoire. (1 copy)
9 2 MC-193-01 DRINKING FOUNTAIN, Basin and Details draft, 1991. blueline print (30"x42"). Draft for plan with annotation by Mathieu Gregoire, "Basin should be fabricated using full scale pattern provided by purchaser."
9 2 MC-193-01 DRINKING FOUNTAIN, Sides and Vent draft, 1991. blueline print (30"x42"). Draft for plan with annotations by Mathieu Gregoire, including, "Section @ Front Corner of Cabinet."
9 3 FB-444-01 Stuart Collection: Project Proposal, 1990. black & white graphic (21"x24"). One page with map and photograph montage of Myers Drive location, with situation of fountain marked in red.
9 3 FB-444-01 DRINKING FOUNTAIN, 1990. black & white Mylar transparency (10"x12"). Negative transparency for cover page of proposal book.
9 3 FB-444-01 DRINKING FOUNTAIN, 1990. black & white vellum transparency (18"x24"). Positive transparency for cover page of proposal book.
9 3 FB-444-01 DRINKING FOUNTAIN, Drawing for stone base plan, 1990. graphite on paper (18"x24"). Drawing by Mathieu Gregoire.
9 3 FB-444-01 DRINKING FOUNTAIN, Installation Plan, 1990 - 1991. graphite on whiteprint template (18"x24"). Site Plan, Section Through Base, and Concrete Circle Base Plan, drawn 1990, reviewed 1991.
9 3 FB-444-01 DRINKING FOUNTAIN, Elevations, Sections, Plans, and Specifications., 1990. whiteprints and graphite on whiteprint template (18"x24"). Two sets, 4 pages each. First set paste-ups dated 5/10/90, last page with note "Revisions 10/8/90, Bid Set." Second set all four pages revised 10/8/90 and noted as "Bid Set."

John Baldessari

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Box Folder Oversize
9 4 AB-017- A READ/WRITE/THINK/DREAM, "Dream," ca. 2000. black & white Mylar transparency (36"x78 1/4").
9 4 AB-017- A READ/WRITE/THINK/DREAM, "Think," ca. 2000. black & white Mylar transparency (36"x79 1/2").
9 4 AB-017- A READ/WRITE/THINK/DREAM, Talk show, ca. 2000. black & white Mylar transparency (35 1/2"x44").
9 4 AB-017- A READ/WRITE/THINK/DREAM, Computer, ca. 2000. black & white Mylar transparency (35 1/2"x36").
9 5 AB-017- A READ/WRITE/THINK/DREAM, Books, ca. 2000. black & white Mylar transparency (26"x37").
9 5 AB-017- A READ/WRITE/THINK/DREAM, Books, ca. 2000. black & white Mylar transparency (36 1/2"x58").
9 5 AB-017- A READ/WRITE/THINK/DREAM, Books, ca. 2000. black & white transparency (36 1/2"x57").
9 5 AB-017- A READ/WRITE/THINK/DREAM, Books, ca. 2000. black & white Mylar transparency (36 1/2"x60").
9 5 AB-017- A READ/WRITE/THINK/DREAM, Books, ca. 2000. black & white Mylar transparency (36 1/2"x55 1/2").
9 5 AB-017- A READ/WRITE/THINK/DREAM, Books, ca. 2000. black & white Mylar transparency (36 1/2"x57").
9 5 AB-017- A READ/WRITE/THINK/DREAM, Books, ca. 2000. black & white Mylar transparency (36 1/2"x55 1/2").
9 5 AB-017- A READ/WRITE/THINK/DREAM, Books, ca. 2000. black & white Mylar transparency (36 1/2"x56 1/2").
9 6 AB-017- A READ/WRITE/THINK/DREAM, Sitting (girl, front), ca. 2000. black & white Mylar transparency (80 1/2"x36").
9 6 AB-017- A READ/WRITE/THINK/DREAM, Sitting (girl, profile), ca. 2000. black & white Mylar transparency (82"x48").
9 6 AB-017- A READ/WRITE/THINK/DREAM, Sitting (boy, profile 1), ca. 2000. black & white Mylar transparency (83"x48").
9 6 AB-017- A READ/WRITE/THINK/DREAM, Sitting (boy, profile 2), ca. 2000. black & white Mylar transparency (78"x48").
9 6 AB-017- A READ/WRITE/THINK/DREAM, Sitting (boy, front), ca. 2000. black & white Mylar transparency (81"x42").
9 7 AB-017- A READ/WRITE/THINK/DREAM, Standing (boy, tee-shirt), ca. 2000. black & white Mylar transparency (105"x36").
9 7 AB-017- A READ/WRITE/THINK/DREAM, Standing (boy, plaid), ca. 2000. black & white Mylar transparency (105"x36").
9 7 AB-017- A READ/WRITE/THINK/DREAM, Standing (boy, shirt & tee-shirt), ca. 2000. black & white Mylar transparency (100"x36").
9 7 AB-017- A READ/WRITE/THINK/DREAM, Standing (girl, overalls), ca. 2000. black & white Mylar transparency (103"x36").
9 7 AB-017- A READ/WRITE/THINK/DREAM, Standing (girl, turtleneck sweater), ca. 2000. black & white Mylar transparency (106 1/2"x36").
9 7 AB-017- A READ/WRITE/THINK/DREAM, Standing (girl, tee-shirt), ca. 2000. black & white Mylar transparency (100 1/2"x36").
9 7 AB-017- A READ/WRITE/THINK/DREAM, Standing (girl, sweater), ca. 2000. black & white Mylar transparency (99"x36").
9 8 AB-017- A READ/WRITE/THINK/DREAM, Palms, ca. 2000. black & white Mylar transparency (116 1/2"x36").
9 8 AB-017- A READ/WRITE/THINK/DREAM, Palms, ca. 2000. black & white Mylar transparency (116 1/2"x36").
9 8 AB-017- A READ/WRITE/THINK/DREAM, Palms, ca. 2000. black & white Mylar transparency (125"x36").
9 8 AB-017- A READ/WRITE/THINK/DREAM, Palms, ca. 2000. black & white Mylar transparency (121"x36").

Jackie Ferrara

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Box Folder Oversize
9 9 FB-444-02 TERRACE, First Concept, ca. 1987. photocopy (18"x24"). For blueline print duplicate see MC-193.
9 9 FB-444-02 TERRACE, Science Building UCSD, ca. 1987. photocopy (18"x24"). Early conceptual drawing. For blueline print duplicate see MC-193.

Richard Fleischner

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Box Folder Oversize
9 10 AB-017- B LA JOLLA PROJECT, Study, 1983. pencil and chalk on diazo print (39"x57"). Image of site with drawn stone block elements. (tube #2)
9 10 AB-017- B LA JOLLA PROJECT, Study, 1983. graphite and chalk on diazo print (40"x118 1/2"). Image of site with drawn stone block elements. (tube #2)
9 11 MC-193-02 LA JOLLA PROJECT, Groups 1-5, 1983. diazo prints (approx. 33"x37 1/4"). Five images of particle board mock-ups for stone block elements at Fleischner's studio.
9 12 MC-193-03 LA JOLLA PROJECT, Groups 6-10, 1983. diazo prints (approx. 33"x37 1/4"). Five images of particle board mock-ups of stone block elements at Fleischner's studio.
9 12 FB-443-01 LA JOLLA PROJECT, ca. 1984. color photograph (16"x20"). Photograph of completed sculpture.

Jenny Holzer

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Box Folder Oversize
9 13 MC-193-04 GREEN TABLE, Plans, 1991 - 1992. blueline prints (24"x36"). Four plans with construction specifications.

Robert Irwin

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Box Folder Oversize
9 14 MC-191-02 TWO RUNNING VIOLET V FORMS, Study, 1982. ink and graphite on paper (24"x33").
9 14 MC-191-02 TWO RUNNING VIOLET V FORMS, Study, 1982. ink and graphite on paper (24"x46").

Elizabeth Murray

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Box Folder Oversize
9 15 MC-192-01 RED SHOE, Study, 1994. charcoal on paper (125"x140").

Bruce Nauman

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Box Folder Oversize
9 16 FB-444-03 VICES AND VIRTUES, Illustration, ca. 1985. color illustration on board (18"x24"). Conceptual rendering of proposed Mandel Weiss site with installation. Not by Nauman, but by a commercial company commissioned by the Stuart Collection for public relations effort to win the approval of area residents.
9 17 AB-017- E VICES AND VIRTUES, North Face (1 of 4), ca. 1985. watercolor and graphite on paper (21"x240").
9 18 AB-017- E VICES AND VIRTUES, West Face (2 of 4), ca. 1985. watercolor and graphite on paper (21"x20").
9 19 AB-017- F VICES AND VIRTUES, East Face (3 of 4), ca. 1985. watercolor and graphite on paper (21"x240").
9 20 AB-017- F VICES AND VIRTUES, South Face (4 of 4), ca. 1985. watercolor and graphite on paper (21"x240").

Alexis Smith

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9 21 MC-191-03 SNAKE PATH, Garden Bench, 1992. vellum whiteprint (22"x33").
9 21 MC-191-03 SNAKE PATH, Snake head, ca. 1992. vellum whiteprint (12 1/2"x23"). Design for head with layout of tiles.
9 21 MC-191-03 SNAKE PATH, Snake, ca. 1992. vellum whiteprint (12"x30"). Layout for path.
9 21 MC-191-03 SNAKE PATH, Stone book detail, 1992. photocopy (24"x46"). Detail for design on back cover of stone book. Annotated by Mathieu Gregoire.
9 21 MC-191-03 SNAKE PATH, Stone book detail, 1992. photocopy (24"x47 1/2"). Detail for design on back cover of stone book. Annotated by Mathieu Gregoire.
9 21 MC-191-03 SNAKE PATH, Stone book covers, ca. 1992. whiteprints (24"x41"). Two plans for design of stone book covers and spine.
9 21 MC-191-03 SNAKE PATH, Sections and Elevations, ca. 1992. whiteprints (30"x42"). Two plans (paste-up and copy) for stone book.
9 21 MC-191-03 SNAKE PATH, Snake Walk proposal, 1991. whiteprints, vellum and paper (30"x40"). Seven page set of plans (p. 6 missing), plus cover page by Andrew Spurlock and Martin Poirier, landscape architects.
9 22 MC-193-05 SNAKE PATH, Stone book covers, ca. 1991. blueprint and blueline print (24"x42"). Two plans for design of stone book covers and spine.
9 22 MC-193-05 SNAKE PATH, Text for book cover, ca. 1991. blueline print (24"x37 1/2"). Text from Paradise Lost for cover of stone book.
9 22 MC-193-05 SNAKE PATH, Book Sculpture, notes, foundation, and elevation, 1991. blueline print (24"x36"). Plan drawn by A. Villar for Blaylock-Willis and Associates, structural engineers.
9 23 AB-017- B SNAKE PATH, Snake head, 1991. whiteprint (24"x50"). Plan for head of path with layout of tile pavers. (tube #2)
9 23 AB-017- B SNAKE PATH, Snake body, 1991. whiteprint (24"x50"). Plan for body of path with layout of tile pavers. (tube #2)
9 23 AB-017- B SNAKE PATH, 1991. whiteprint with colored pencil (56 1/2"x18"). Plan for path with layout of tile pavers. (tube #2)
9 23 AB-017- B SNAKE PATH, Snake head, 1991. whiteprint with colored pencil (20"x20"). (tube #2)
9 23 AB-017- B SNAKE PATH, 1991. whiteprint (19"x57"). (tube # 2)
9 24 AB-017- B SNAKE PATH, Garden bench (tube #3), 1992. whiteprint (30"x76").
9 24 AB-017- B SNAKE PATH, Stone book cover (tube #3), 1992. whiteprints (94"x36"). Back cover of stone book sculpture in two halves.
9 24 AB-017- B SNAKE PATH, Stone book spine (tube #3), 1992. whiteprint (95"x24").
9 25 AB-017- B SNAKE PATH, 1991. whiteprint (120"x30"). Plan with layout of pavers. (tube #4)
9 25 AB-017- B SNAKE PATH, 1991. whiteprint (24"x117"). Plan with specifications for tile pavers. (tube #4)
9 25 AB-017- B SNAKE PATH, Enlarged construction, 1991. whiteprint (30"x111"). (tube #4)
9 26 FB-444-04 SNAKE PATH, Adam and Eve, ca. 1991. black & white graphic (20"x18"). Image for bench from illustration by Gustave Doré (not used).
9 26 FB-444-04 SNAKE PATH, Adam and Eve, ca. 1991. negative black and white graphic (21 1/2"x24"). Image for bench from illustration by Gustave Doré.
9 26 FB-444-04 SNAKE PATH, Serpent, ca. 1991. negative black and white graphic (12"x18"). Image for bench from illustration by Gustave Doré.
9 26 FB-444-04 SNAKE PATH, 1992. color photograph on foam core (20"x15 1/2"). Aerial view of completed path.
9 26 FB-444-04 SNAKE PATH, ca. 1992. color photographs (24"x20"). Two color photographs of study in colored pencil for SNAKE PATH dating from 1988.

Kiki Smith

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9 27 FB-443-02 STANDING, 1997. color digital prints (17"x11"). Seven pictures of wax model for sculpture in Smith's studio, Santa Fe, New Mexico.

William Wegman

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9 28 FB-444-05 LA JOLLA VISTA VIEW, Landscape, ca. 1987. Mylar transparency (12 1/2"x24"). Landscape drawing for bronze plaque.
9 28 FB-444-05 LA JOLLA VISTA VIEW, Landscape, ca. 1987. negative Mylar transparency (13"x24"). Landscape drawing for bronze plaque.
9 28 FB-444-05 LA JOLLA VISTA VIEW, Title drawing, ca. 1987. negative Mylar transparency with ink (11"x14"). Drawing used for title plaque with caption, "Funded by the Stuart Foundation and the National Endowmen of the Arts."
9 28 FB-444-05 LA JOLLA VISTA VIEW, Title drawing (variation), ca. 1987. negative Mylar transparency with ink (11"x14"). Variation on drawing used for title plaque.
9 28 FB-444-05 LA JOLLA VISTA VIEW, Title drawing (variation), ca. 1987. negative Mylar transparency with ink (11"x14"). Alternative drawing for title plaque, not used.
9 28 FB-444-05 LA JOLLA VISTA VIEW, Landscape (detail), ca. 1987. ink on Mylar (11"x14"). Detail of landscape for bronze plaque.
9 28 FB-444-05 LA JOLLA VISTA VIEW, Site, ca. 1986. color photograph (11"x14"). Study photograph of site.
9 29 FB-443-03 LA JOLLA VISTA VIEW, Title drawing (draft), 1987. ink on paper (11"x8 1/2"). Owl on branch, moon, title text. Drawn on Letterhead for University of California, San Diego "Sculpture Collection."
9 29 FB-443-03 LA JOLLA VISTA VIEW, Title drawing (draft), 1987. ink on paper (11"x8 1/2"). Owl in flight, landscape, title text. Drawn on letterhead for University of California, San Diego "Sculpture Collection."
9 29 FB-443-03 LA JOLLA VISTA VIEW, Title drawing (draft), 1987. ink on paper (8 1/2"x11"). Owl on branch, moon, landscape, title text in center box. Drawn on reverse of letterhead for University of California, San Diego "Sculpture Collection."
9 29 FB-443-03 LA JOLLA VISTA VIEW, Title drawing (draft), 1987. ink on paper (11"x8 1/2"). Owl in flight, landscape, no text.
9 29 FB-443-03 LA JOLLA VISTA VIEW, Title drawing, 1987. ink on Bristol board (11"x14"). Original drawing used for title plaque. Features telescope and dog seated looking up at an owl in flight. Pasted caption, "Funded by the Stuart Foundation and the National Endowment for the Arts."
9 29 FB-443-03 LA JOLLA VISTA VIEW, Title drawing (draft), 1987. ink on Bristol board (11"x14"). Sun over landscape with title text.
9 29 FB-443-03 LA JOLLA VISTA VIEW, Title drawing (draft), 1987. ink on Bristol board (11"x14"). Owl in flight over landscape with title text.
9 29 FB-443-03 LA JOLLA VISTA VIEW, Title drawing (draft), 1987. ink on Bristol board (11"x14"). Owl in flight over lanscape and telescope, with title text.
9 29 FB-443-03 LA JOLLA VISTA VIEW, Title drawing (draft), 1987. ink on Bristol board (11"x14"). Owl in flight over landscape with title text.
9 29 FB-443-03 LA JOLLA VISTA VIEW, Title drawing (draft), 1987. ink on Bristol board (11"x14"). Crouching dog with telescope, landscape, and title text.
9 29 FB-443-03 LA JOLLA VISTA VIEW, Title drawing (draft), 1987. ink on card stock (11"x14"). Telescope, sun over landscape, and title text. Ground of drawing is cover page for Bristol board pad.
9 29 FB-443-03 LA JOLLA VISTA VIEW, Title drawing (draft), 1987. ink on Bristol board (11"x14"). Owl in flight, no text.
9 29 FB-443-03 LA JOLLA VISTA VIEW, Title drawing (draft), 1987. ink on Bristol board (11"x14"). Dog lying down, no text.
9 29 FB-443-03 LA JOLLA VISTA VIEW, Title drawing (draft), 1987. ink on Bristol board (11"x14"). Dog seated, owl in flight, no text.
9 29 FB-443-03 LA JOLLA VISTA VIEW, Title drawing (draft), 1987. ink on Bristol board (5"x9"). Landscape with title text.
9 30 FB-443-04 LA JOLLA VISTA VIEW, Studies, 1987. ink on Bristol board (11"x14"). Fifteen conceptual drawings of lookout area and drafts for the bronze plaque landscape.
9 31 MC-193-07 LA JOLLA VISTA VIEW, Landscaping and Pedestal, 1987. blueline print (30"x42"). Plan with specifications for planting foliage. (2 copies)
9 31 MC-193-07 LA JOLLA VISTA VIEW, Muntz Metal and Misc. Details, 1987. blueline prints (30"x42"). Specifications for installing bronze plaque. (3 copies)
9 32 AB-017- B LA JOLLA VISTA VIEW, Landscape, 1987. ink on Mylar (40"x135"). Original drawing used for bronze plaque. (tube #5)
9 32 AB-017- B LA JOLLA VISTA VIEW, Landscape, 1987. Mylar transparency (36"x136"). Positive transparency of drawing used for bronze plaque. (tube #5)
9 33 AB-017- B LA JOLLA VISTA VIEW, Landscape, 1987. negative Mylar transparencies and paper (48"x137"). Series of negatives of drawing used for bronze plaque, assembled in a curved montage, bordered with orange paper.

WORKS NOT BUILT

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Alice Aycock

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9 34 MC-194-01 Proposal 1, 3 of 5, 1988. blueline print (36 1/2"x25 1/2").
9 34 MC-194-01 Proposal 1, 4 of 5, 1988. blueline print (27"x361/2").
9 35 AB-017- C THE GREAT MONOCHORD BUILDING, 1 of 2, 1988. blueline print (36 1/2"x74 1/2"). (tube #1)
9 35 AB-017- C THE GREAT MONOCHORD BUILDING, 2 of 2, 1988. blueline print (38"x36 1/4"). (tube #1)
9 35 AB-017- C Proposal 1, 5 of 5, 1988. blueline print (36 1/2"x41"). (tube #1)
9 35 AB-017- C Proposal 3, 1 of 2, 1988. blueline print (42 1/2"x60"). Second page missing. (tube #1)
9 36 AB-017- C Proposal 2, 2 of 6, 1988. blueline print (36"x89 1/2"). (tube #2)
9 36 AB-017- C Proposal 2, 3 of 6, 1988. blueline print (36 1/2"x88 1/2"). (tube #2)
9 36 AB-017- C Proposal 2, 4 of 6, 1988. blueline print (36 1/2"x48"). (tube #2)
9 36 AB-017- C Proposal 2, 5 of 6, 1988. blueline print (36 1/2"x48"). (tube #3)
9 37 AB-017- C Proposal 2, 1 of 6, 1988. photocopy (30"x52"). (tube #3)

Richard Fleischner

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9 38 FB-443-05 Untitled proposal, ca. 1983. black & white photograph (11"x14"). Proposed eucalyptus grove site with drawing of chair.
9 38 FB-443-05 Untitled proposal, ca. 1983. black & white photograph (11"x14"). Proposed eucalyptus grove site.

Doug Hollis

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9 39 MC-191-04 Untitled proposal, Trellis and Dome, n.d. ink and graphite on paper (16"x30").
9 39 MC-191-04 Untitled Proposal, Footings, n.d. ink and graphite on paper (15 1/2"x24").

Barry Le Va

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9 40 AB-017- C SCI-LI-CAN-KIL-LER, 1985. ink and graphite on paper (27"x50"). Drawing with additional paper cut-out elements taped to surface. (tube #3)
9 40 AB-017- C SCI-LI-CAN-KIL-LER, 1985. ink and graphite on paper (36 1/2"x54"). Drawing with additional paper cut-out elements taped to surface. (tube #3)

Donald Lipski

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9 41 FB-444-06 FOR LA JOLLA, Looking South from Below, 1984. black & white photograph (15"x27"). Proposed site.
9 41 FB-444-06 FOR LA JOLLA, Looking North from Above, 1984. black & white photograph (17 1/2"x24 1/2"). Proposed site.
9 41 FB-444-06 FOR LA JOLLA, Looking North from Below, 1984. black & white photograph (17"x24"). Proposed site.

Max Neuhaus

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9 42 MC-191-05 Proposal for a Quiet Reflective Place, 1987. graphite and colored pencil on vellum (38"x32").

Maria Nordman

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9 43 MC-191-06 Outdoor Part, Plan, 1993. whiteprint (36"x24"). For blueline print duplicate see MC-194.
9 43 MC-191-06 Outdoor Part, Section, 1993. whiteprint (36"x24"). For blueline print duplicate see MC-194.

Claes Oldenburg

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9 44 FB-443-06 Untitled [Basketball net], n.d. color photographs (11"x17"). Two photographs of study for basketball and net sculpture.

Martin Puryear

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9 45 FB-443-07 Notes, 1986. ink on paper (11"x17"). Brief handwritten description of project.
9 45 MC-194-02 Untitled, Canyon section, 1986. blueline print with paper overlay (15"x25"). Topographical plan with elevations.
9 45 MC-194-02 Untitled, Campus plan, 1986. blueline print with color slides (42"x30"). Plan of UCSD campus with two 35mm slides attached.

Richard Serra

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9 46 FB-443-08 Untitled, n.d. color photograph (14"x11"). Photograph of metal sculpture.

Peter Shelton

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9 47 FB-444-07 Untitled, ca. 1985. ink on vellum (18"x24"). Drawing of circular structure with stairs and large letters. (1diazo print copy in MC-194-03)
9 47 FB-444-07 Unititled, ca. 1985. ink on vellum (18"x24"). Drawing of temple structure in grove of trees. (1 diazo print copy in MC-194-03)
9 48 MC-194-03 WATERHOUSE, FIREHOUSE, Looking Southeast, 1985. diazo print (18"x24"). Blueline drawing for proposal. (2 copies)
9 48 MC-194-03 LONGHIGHVAULT, FLOATINGSTONE, LIGHTSEAT, 1985. diazo print (18"x24"). Blueline drawing for proposal (2 copies).
9 48 MC-194-03 WATERHOUSE, FIREHOUSE, Looking North to Northeast, 1985. diazo print (18"x24"). Blueline drawing for proposal. (1 copy)

George Trakas

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9 49 FB-443-09 PEPPER CANYON, Drawings, ca. 1987. graphite, chalk, and watercolor on paper (12"x15"). Four drawings illustrating proposal, including canyon edge, path, and tree features.
9 50 MC-194-04 PEPPER CANYON, 1987. blueline print with graphite and chalk (30"x42"). Campus plan with additional drawing.
9 50 MC-194-04 PEPPER CANYON, Red Bridge, 1987. blueline print with chalk (30 1/2"x44 1/4"). Campus plan with additional drawing and specifications for access points to bridge.
9 51 AB-017- C PEPPER CANYON, ca. 1991. whiteprints (36"x96"). Two plans of campus with proposed locations of project. (tube #3)
9 51 AB-017- C PEPPER CANYON, 1991. whiteprint (18 1/4"x48"). (tube #3)

James Turrell

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9 52 MC-191-07 LAODICEA, Elevations, 1983. graphite on paper (12"x18").
9 52 MC-191-07 LAODICEA, Skyspace, ca. 1983. graphite on paper (12"x18").
9 52 MC-191-07 LAODICEA, Crater and Skyspace, 1983. whiteprint (34"x22").
9 52 MC-191-07 LAODICEA, Crater and Skyspace, 1983. vellum whiteprint (34"x22").
9 52 MC-191-07 LAODICEA, Piece for the Bluff, 1983. ink and graphite on paper (17"x22"). Topographical plan for crater element.
9 52 MC-191-07 LAODICEA, Piece for the Bluff, Craterspace, 1983. ink and graphite on paper (17"x22"). Plan for crater element giving diameter as 190'.
9 52 MC-191-07 LAODICEA, 1983. vellum whiteprint (35"x25"). Topography of land bounded by the School of Medicine and Gilman Drive.
9 52 MC-191-07 LAODICEA, 1983. whiteprints with Mylar overlay (34"X22"). Two plans showing topography of site with craterspace location and specifications.
9 52 MC-191-07 LAODICEA, 1983. whiteprints with vellum overlay (34"x22"). Two plans showing topography of site with craterspace and specifications.
9 53 MC-191-08 Amphitheater, Plans, 1984. ink and graphite on paper (31"x43"). Three plans with views of amphitheater features, including stage, stairs, seating, and crater elevation.
9 53 MC-191-08 Amphitheater, Crater, 1983. vellum whiteprints (31"x43"). Two plans for crater.
9 53 MC-191-08 Amphitheater, Crater, 1983. vellum whiteprint with colored pencil (31"x43"). Plan for crater.
9 53 MC-191-08 Amphitheater, Site, 1983. photocopy (32"x43"). Topography of site bounded by School of Medicine and Gilman Drive.
9 54 MC-194-06 LAODICEA, 1983. blueline print (22 1/2"x34").
9 54 MC-194-06 LAODICEA, Contour A, 1983. blueline print with ink (18 1/2"x24"). Topographical plan.
9 54 MC-194-06 LAODICEA, Contour B, 1983. blueline print with ink (18 1/2"24").
9 54 MC-194-06 LAODICEA, Limit of total work area, 1983. blueline print with ink (25"x30").
9 54 MC-194-06 LAODICEA, Proposal with Basic Topographic Map, General Campus, 1983. blueline print with ink and graphite (30"x58 1/2"). Plan with specifications and map inset of site.
9 54 MC-194-06 LAODICEA, 1983. blueline print with graphite (27 1/2"x36"). Topographical plan.
9 54 MC-194-06 LAODICEA, 1983. blueline print with ink and graphite (30"x34"). Topographical plan.
9 54 MC-194-06 LAODICEA, 1983. blueline print with ink (25"x26"). Topographical plan.
9 54 MC-194-06 LAODICEA, 1983. blueline print with Mylar overlay (24"x36").
9 55 MC-194-05 Amphitheater, 1984. blueline print (31"x43").
9 55 MC-194-05 Amphitheater, 1984. blueline print with vellum overlay (31"x43"). Topography with plans for amphitheater.

Bill Woodrow

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9 56 FB-443-10 Stuart Collection Project, 1993. ink on paper (11"x17").



Finding aid generated: 2007-08-17